Corporate Identity · designed by Dawaer, 2026. A visual identity for attorney D. Mohammed H. Aldosary: his name in thuluth carried on a gold balance.
The mark sets the name Mohammed in thuluth, written so that the pans of the balance continue the letters rather than sit on top of them. The scales are the most common symbol in law and the hardest: mounted above a name it reads as stock artwork, but grown out of the letterform itself it becomes this lawyer's mark and no one else's.
Deep green with gold departs from the navy that Saudi law practices have nearly settled on. The green is a deep olive that does not gleam, reading as gravity rather than novelty, and the gold stays in the letters and the balance alone — in the mark, never in the fields.
The mark returns as a ghosted watermark, enlarged past the edge of the sheet on the letterhead and the notepad. Scaling a mark until it can no longer be read is what turns it into the texture of the paper instead of a stamp repeated in a corner.
The seal carries licence number 44/1585 in Arabic and English together. That is what separates an attorney's seal from any company's: the first proves standing before a court, the second is a signature. The receipt vouchers follow the same logic, set bilingually on one sheet because whoever is handed one may be either.
The exterior sign carries the attorney's name beside his legal consultant's — an arrangement that states what the practice is before anyone asks: an office under its principal's name, not a firm hiding its people behind an abstraction.
The corporate identity, delivered in open vector files with a guide governing their use.
8 — the mark and its applications across stationery, signage and screen, as delivered.
Yes. An identity for a law firm is built on what distinguishes the sector — the mark and its variants, the colour system, the Arabic and Latin typefaces, and the stationery.